. United Kingdom. United States Language English Budget $200 million Box office $586.1 million Quantum of Solace (2008) is the twenty-second in the produced by, directed by and written by,. It stars, and. In the film, Bond seeks revenge for the death of his lover, and is assisted by, who is plotting revenge for the murder of her own family. The trail eventually leads them to wealthy businessman, a member of the organisation, who intends to stage a in Bolivia to.

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Producer developed the film's plot while the previous film in the series, was being shot. Purvis, Wade, and Haggis contributed to the script. Craig and Forster had to write some sections themselves due to the, though they were not given the screenwriter credit in the final cut. The title was chosen from a 1959 short story in 's, though the film does not contain any elements of that story. Location filming took place in Mexico, Panama, Chile, Italy, Austria and Wales, while interior sets were built and filmed. Forster aimed to make a modern film that also featured classic cinema motifs: a vintage was used for a flight sequence, and 's set designs are reminiscent of 's work on several early Bond films.

Taking a course away from the usual, Forster rejected any grotesque appearance for the character Dominic Greene to emphasise the hidden and secret nature of the film's contemporary villains. The film was also marked by its frequent depictions of violence, with a 2012 study by the in New Zealand finding it to be the most violent film in the franchise. Whereas featured 109 'trivial or severely violent' acts, Quantum of Solace had a count of 250—the most depictions of violence in any Bond film—even more prominent since it was also the shortest film in the franchise. Quantum of Solace premiered at the on 29 October 2008, gathering mixed reviews, which mainly praised Craig's gritty performance and the film's action sequences, but felt that the film was less impressive than its predecessor Casino Royale. As of September 2016, it is the fourth-highest-grossing James Bond film, without adjusting for inflation, earning $586 million worldwide. Wilson on the plot.

In July 2006, as Casino Royale entered post-production, Eon Productions announced that the next film would be based on an original idea by producer. It was decided beforehand the film would be a direct sequel, to exploit Bond's emotions following Vesper's death in the previous film. Just as Casino Royale 's theme was terrorism, the sequel focuses on environmentalism. The film was confirmed for a 2 May 2008 release date, with Craig reprising the lead role., who directed Craig in and, was in negotiations to direct, but opted out because there was no script. Sony Entertainment vice-chairman Jeff Blake admitted a production schedule of 18 months was a very short window, and the release date was pushed back to late 2008. Completed their draft of the script by April 2007, and, who polished the Casino Royale script, began his rewrite the next month.

In June 2007, was confirmed as director. He was surprised that he was approached for the job, stating he was not a big Bond film fan through the years, and that he would not have accepted the project had he not seen Casino Royale prior to making his decision: he felt Bond had been humanised in that film, arguing since travelling the world had become less exotic since the series' advent, it made sense to focus more on Bond as a character. Born in Germany and raised in Switzerland, Forster was the first Bond director not to come from the, although he noted Bond's mother is Swiss, making him somewhat appropriate to handle the British icon. The director collaborated strongly with and Michael G. Wilson, noting they only blocked two very expensive ideas he had. The director found Casino Royale 's 144-minute running time too long, and wanted his follow-up to be 'tight and fast like a bullet.' 'Because Bond plays it real, I thought the political circumstances should be real too, even though Bond shouldn't be a political film.

I thought the more political I make it, the more real it feels, not just with Bolivia and what's happening in, but with all these corporations like and saying they're because it's so fashionable to be green. During the, everything was very clear, the good guys and the bad guys. Today there's much overlapping of good and bad. It isn't as morally distinct, because we all have both elements in us.' Marc Forster chose the Atacama Desert to represent Bond's vengefulness in the climax. During filming in, the local mayor, Carlos Lopez, staged a protest because he was angry at the filmmakers' portrayal of the as part of Bolivia. He was arrested, detained briefly, and put on trial two days later.

Eon dismissed his claim that they needed his permission to film in the area. Wilson explained that Bolivia was appropriate to the plot, because of the country's history of water problems, and was surprised the two countries disliked each other a century after the. In a poll by Chilean daily newspaper, 75% of its readers disagreed with Lopez's actions, due to the negative image of Chile they felt it presented, and the controversy's potential to put off productions looking to film in the country in the future. From 4–12 April the main unit shot on Sienese rooftops. Shooting on the real rooftops turned out to be less expensive than building them at Pinewood.

The next four weeks were scheduled for filming the car chase at and. On 19 April, an employee driving a to the set crashed into the lake. He survived, and was fined £400 for reckless driving. Another accident occurred on 21 April, and two days later, two stuntmen were seriously injured, with one, Greek stuntman Aris Comninos, having to be put in intensive care. Filming of the scenes was temporarily halted so that Italian police could investigate the causes of the accidents.

Stunt co-ordinator Gary Powell said the accidents were a testament to the realism of the action. Rumours of a 'curse' spread among tabloid media, something which deeply offended Craig, who disliked that they compared Comninos' accident to something like his minor finger injury later on the shoot (also part of the 'curse'). Comninos recovered safely from his injury. For the role Craig trained to be less bulky than in Casino Royale and told magazine 'In fact, I was much fitter for this film compared to Casino Royale—I really had to be—and I was running a hell of a lot more in training, just so I could do these scenes, whereas last time I spent far more time pumping heavy weights to bulk up so I could look big.' Filming took place at the at, Austria, from 28 April – 9 May 2008. The sequence in which Bond stalks the villains during a performance of required 1,500 extras.

The production used a large model of an eye, which Forster felt fitted in the Bond style, and the opera itself has parallels to the film. A short driving sequence was filmed at the nearby. The crew returned to Italy from 13–17 May to shoot a (planned) car crash at the marble quarry in Carrara, and a recreation of the Palio di Siena at the in Siena. 1,000 extras were hired for a scene where Bond emerges from the Fonte Gaia.

Originally, he would have emerged from the city's cisterns at, but this was thought disrespectful. By June the crew returned to Pinewood for four weeks, where new sets (including the interior of the hotel in the climax) were built.

The party was held on 21 June. Design Production designer, a crew member on 18 previous Bond films, retired after Casino Royale. Forster hired in his stead, having admired his work on and the films of the. Craig said the film would have 'a touch of,' while Michael G. Wilson also called Gassner's designs 'a look at.' Forster said he felt the early Bond films' design 'were ahead of their time,' and enjoyed the clashing of an older style with his own because it created a unique look unto itself.

Gassner wanted his sets to emphasise Craig's 'great angular, textured face and wonderful blue eyes,' and totally redesigned the MI6 headquarters because he felt Judi Dench 'was a bit tired in the last film, so I thought, let's bring her into a new world.' Louise Frogley replaced as, though Hemming remained as supervisor. Hemming hired for Bond's suits since her tenure on the series began with 1995's, but Lindsay Pugh, another supervisor, explained their suits were 'too relaxed.' Was hired to tailor 'sharper' suits for Craig. Pugh said the costumes aimed towards the 1960s feel, especially for Bond and Fields. Provided the dresses for both Bond girls.

Designed Camille's ginger bandeau, bronze skirt and gold fish necklace, while Chrome Hearts designed gothic jewellery for Amalric's character, which the actor liked enough to keep after filming. Sophie Harley, who created 's earrings and Algerian loveknot necklace in Casino Royale, was called upon to create another version of the necklace.

The film returns to the traditional, which was altered into part of the story for Casino Royale where it was moved to the beginning of the title sequence. In this film the gun barrel sequence was moved to the end of the movie, which Wilson explained was done for a surprise, and to signify the conclusion of the story begun in the previous film. The opening credits sequence was created.

Having worked on Forster's and, MK12 spontaneously began developing the sequence early on in production, and had a good idea of its appearance which meant it did not have to be redone when the was changed. MK12 selected various twilight colours to represent Bond's mood and focused on a dot motif based on the gunbarrel shot. MK12 also worked on scenes with, including the electronic table MI6 use, and the, Haiti title cards. On display at the 2008 Quantum of Solace was the last in 's three-film deal that began with 2002's.

Although Ford sold over 90% of the company in 2007, the returned for the film's car chase around Lake Garda; was hired as director because of his work on the second and third, so the film would continue the gritty action style begun in Casino Royale. He had intended to use for the opening chase, but it was replaced by the. After location filming in Italy, further close-ups of Craig, the cars and the truck were shot at Pinewood against a blue screen.

Originally three Alfa Romeos were in the sequence: but Forster felt the scene was running too long and re-edited the scene so it only looked like two Alfas were chasing Bond. Six Aston Martins were destroyed during filming, and one of them was purchased by a fan. Fourteen cameras were used to film the footage, which was later edited into the main sequence. Aerial shots using helicopters were banned, and the crew were also forbidden from showing any violence 'involving either people or animals.'

To shoot the foot chase in in April 2008 four camera cranes were built in the town, and a was also used. Worked on the Siena chase, duplicating the 1,000 extras during principal photography to match shots of the 40,000-strong audience at the real Palio, removing wires that held Craig and the stuntmen in the rooftop segment of the chase, and digital expansion of the floor and skylight in the art gallery Bond and Mitchell fall into. The art gallery fight was intended to be simple, but during filming Craig's stunt double accidentally fell from the construction scaffolding. Forster preferred the idea of Bond hanging from ropes reaching for his gun to kill Mitchell, rather than having both men run out of the building to continue their chase as specified in the script, and the number of effects shots increased. To film the aerial dogfight, a 'Snakehead' camera was built and placed on the nose and tail of a 700., who provided the software used to design the camera, stated 'pilots for the first time can fly as aggressively as they dare without sacrificing the drama of the shot.'

The camera could turn 360 degrees and was shaped like a. The crew also mounted SpaceCams on helicopters, and placed cameras with 1600mm lenses underground, to cover the action. Forster wanted to film the plane fight as a homage to 's, and chose planes like the to suit that. The scene involved its own set of challenges, Craig disliked the idea of 'being hung by wires and blown by a large fan in front of a green screen' but actual coverage has serious drawbacks.

It's not only difficult, dangerous and time-consuming, but nearly always results in problematic head-replacements for close-ups. Stunt co-ordinator Gary Powell and VFX Designer, presented the idea of filming the scene in a large in to do this sequence as practically as possible. While a great solution for the actors' performances the technique presented enormous VFX challenges: relighting shots captured in a tall white tube to match the sky over the Bolivian desert, and the impossibility of filming medium to wide shots of the actors. An array of eight cameras (supported by seven HD cameras and a 35mm hand-held camera, all running in sync) was used to create a with which to shoot the actors floating in the simulator. And his team at developed a method to use the data from these cameras that allowed these real performances to be placed in a synthetic environment as seen by a synthetic camera. During the shooting in the wind tunnel Craig and Kurylenko wore wind-resistant contact lenses that enabled them to open their eyes as they fell.

For safety and comfort, they only shot for 30 seconds at a time. Forster wished he had more time to work on the free-fall scene. The created the climactic hotel sequence.

The fire effects were supervised by, and post-production MPC had to enhance the sequence by making the smoke look closer to the actors, so it would look more dangerous. A full-scale replica of the building's exterior was used for the exploding part Bond and Camille escape from.

The boat chase was another scene that required very little CGI. Machine FX worked on replacing a few shots of visible stuntmen with a digital version of Craig's head, and recreated the boats Bond jumps over on his motorcycle to make it look more dangerous. Crowd creation was done for the scene by Machine FX, to make the performance look like it had sold out. Forster edited the opera scene to resemble. In total, there are 900+ visual effects shots in Quantum of Solace. Main article:, who composed the scores for the previous four Bond films, returned for Quantum of Solace.

He said that Forster likes to work very closely with his composers and that, in comparison to the accelerated schedule he was tied to on Casino Royale, the intention was to spend a long time scoring the film to 'really work it out.' He also said he would be 'taking a different approach' with the score.

Arnold composed the music based on impressions from reading the script, and Forster edited those into the film. As with Casino Royale, Arnold kept use of the ' to a minimum. Arnold collaborated with for 'Crawl, End Crawl,' a remix of the score played during the end credits. Of and collaborated on ',' the first Bond music duet. They had wanted to work together for two years beforehand.

The song was recorded in; White played the drums while Keys performed on the piano. Also contributed to the track. White's favourite Bond theme is 's instrumental piece for, and he watched various opening credit sequences from the series for inspiration while mixing the track. And had recorded a track for the film, but Ronson explained Winehouse's well-publicised legal issues in the preceding weeks made her 'not ready to record any music' at that time. Release The film premiered at the on 29 October 2008.

Princes and attended, and proceeds from the screening were donated to the charities and. The film was originally scheduled to be released in the UK and North America on 7 November; however, Eon pushed forward the British date to 31 October during filming, while the American date was pushed back in August to 14 November, after had been moved to 2009, thereby allowing the distributors to market the film over the autumn blockbuster holiday weekend. In Australia, the film was moved a week to 19 November, after chose to release on Quantum of Solace 's original date of 26 November.

Marketing Returning partners from Casino Royale included, and. A reported £50 million was earned in product placement, which tops the Bond films' record of £44 million for Die Another Day. The 2009 is driven by Camille in the film. Created a fragrance called Bond Girl 007 with as the 'face' of the product. Became a promotional partner, rebranding as 'Coke Zero Zero 7.'

A tie-in advert featured the orchestral element of 'Another Way to Die.' In the film, Coca-Cola was briefly seen being served at Dominic Greene's party. Sony held a competition, 'Mission for a Million,' enabling registered players to use their products to complete certain tasks.

Each completed 'mission' gives consumers a chance to win $1 million and a trip to a top-secret location. Merchandise made 5-inch action figures and gadgets (such as a voice-activated briefcase), as well as its traditional vehicles. It also created 7-inch figures of characters from the previous films. Released four racing sets to coincide with the film.

Released its first James Bond game, also titled, which is based on both Casino Royale and Quantum of Solace. It is the first to feature Craig's likeness and the first game in the series. Designed a series of wrist watches, each of them inspired by a Bond villain. Though the screenplay did not get made into a novel despite its original storyline, published a compilation of Fleming's short stories entitled, with a UK release date of 29 May 2008 and a North American release date of 26 August 2008. The book combines the contents of Fleming's two short story collections, —including the original 'Quantum of Solace' short story—and. Home media Quantum of Solace was released on DVD and by via in Australia, the UK and North America from 18 to 24 March 2009.

At the DVD sales chart the film opened at No. 3, grossing $21,894,957 from 1.21m DVD units sold. As of 1 November 2009, 2,643,250 DVD units were sold, generating $44,110,750 in sales revenue. These figures do not include Blu-ray sales or DVD rentals. The DVDs were released in both a standard one-disc set and a deluxe two-disc special edition. There are no audio commentaries or deleted scenes on these editions.

Reception Box office Upon its opening in the UK, the film grossed £4.9 million ($8 million), breaking the record for the largest Friday opening (31 October 2008) in the UK. The film then broke the UK opening-weekend record, taking £15.5 million ($25 million) in its first weekend, surpassing the previous record of £14.9 million held. It earned a further £14 million in France and Sweden—where it opened on the same day. The weekend gross of the equivalent of $10.6 million in France was a record for the series, surpassing what Casino Royale made in five days by 16%.

The $2.7 million gross in Sweden was the fourth-highest opening for a film there. The following week, the film was playing in sixty countries. It grossed the equivalent of $39.3 million in the UK, $16.5 million in France and $7.7 million in Germany on 7 November 2008. The film broke records in Switzerland, Finland, United Arab Emirates, Nigeria, Romania and Slovenia. Its Chinese and Indian openings were the second-largest ever for foreign-language films. The film grossed $27 million on its opening day in 3,451 cinemas in Canada and the United States, where it was the number one film for the weekend, with $67.5 million and $19,568 average per cinema. It was the highest-grossing opening weekend Bond film in the US, and tied with for the biggest November opening outside of the series.

The film earned a B- from 's audience surveys. From the British opening on 31 October, through to the US opening weekend on 14 November, the film had grossed a total $319,128,882 worldwide. As of 10 February 2010, it had grossed the equivalent of $417,722,300 in countries other than Canada and the US, where it grossed $168,368,427, to give a total of $586,090,727.

Critical response On review aggregator, the film has an approval rating of 65% based on 281 reviews, with an average rating of 6.1/10. The site's critical consensus reads, 'Brutal and breathless, Quantum Of Solace delivers tender emotions along with frenetic action, but coming on the heels of Casino Royale, it's still a bit of a disappointment.'

On, which assigns an average rating to reviews, the film has a score of 58 out of 100, based on 38 critics, indicating 'mixed or average reviews'. Critics generally preferred Casino Royale, but continued to praise Craig's depiction of Bond, and agree that the film is still an enjoyable addition to the series.

The action sequences and pacing were praised, but criticism grew over the realism and serious but gritty feel that the film carried over., the third actor to play Bond in the films, said that Craig was a 'damn good Bond but the film as a whole, there was a bit too much flash cutting and it was just like a commercial of the action. There didn't seem to be any geography and you were wondering what the hell was going on.' Of gave it 4/5, remarking it was not 'bigger and better than Casino Royale, which is perhaps a smart move in that there's still a sense at the finish that Bond's mission has barely begun.' However, he expressed nostalgia for the more humorous Bond films. Review noted that 'following Casino Royale was never going to be easy, but the director Marc Forster has brought the brand's successful relaunch crashing back to earth—with a yawn'; the screenplay 'is at times incomprehensible' and the casting 'is a mess.' The review concludes that 'Bond has been stripped of his iconic status.

He no longer represents anything particularly British, or even modern. In place of glamour, we get a spurious grit; instead of style, we get; in place of fantasy, we get a redundant and silly realism.' Gave a more positive review, rating it as 3/5 stars, and was particularly fond of Craig's performance, saying he 'made the part his own, every inch the coolly ruthless agent-killer, nursing a broken heart and coldly suppressed rage' and calling the film 'a crash-bang Bond, high on action, low on quips, long on location glamour, short on product placement'; it concludes ' Quantum of Solace isn't as good as Casino Royale: the smart elegance of Craig's Bond debut has been toned down in favour of conventional action. But the man himself powers this movie; he carries the film: it's an indefinably difficult task for an actor.

Craig measures up.' Says, 'Notices will focus—rightly—on Craig's magnetism as the steely, sexy, murderous MI6 agent, but two other factors weigh in and freshen up proceedings: Forster's new technical team, led by cinematographer Roberto Schaefer and production designer Dennis Gassner. And the ongoing shift of M, as played by Judi Dench, to front and centre: the Bond girls fade into insignificance as she becomes his moral counterpoint and theirs is the only real relationship on screen.' The review continues, 'Bond is, as has been previously noted, practically the of the: 22 films later, with grosses probably close to the of one of the small nations it depicts, it's still waiting for that. The best Casino Royale could achieve was a gong for sound.

Will this be the year that changes its fortunes?' Of the, who praised the previous film, disliked Quantum of Solace. He wrote that the plot was mediocre, characters weak and that Bond lacked his usual personality, despite his praise for Craig's interpretation of the role.

Throughout his review, he emphasised that 'James Bond is not an action hero.' Wrote in that 'The Bond franchise is 50 years old this year, and the scriptless mess of Quantum of Solace may be considered its mid-life crisis', before she went on to praise the film's successor as a 'resurrection'. Some writers criticised the choice of Quantum of Solace as a title. 'Yes, it's a bad title,' wrote Marni Weisz, the editor of Famous, a Canadian film publication distributed in cinemas in that country, in an editorial entitled 'At least it's not.' Not all the reviews were as critical.

Tim Robey of, in a reflective review of the film in 2013, was positive. He praised the film's shorter runtime, claiming that many other Bond films run out of steam before the end, and included Casino Royale in this category. Describing the film as having a 'rock-solid dramatic idea and the intelligence to run with it', he gave the film four stars out of five. Accolades The film was nominated for Best Original Score, Best Original Song, Visual Effects, Film and Sound Editing at the 2008, winning Best Song. It was nominated for Best Action Movie at the 2009, and at the, which is voted for by the public, it was shortlisted for Best Actor, Best Actress, Best Newcomer, Best Thriller and Best Soundtrack. It was nominated for the for Best Action/Adventure/Thriller Film, while Kurylenko and Dench were both nominated for the Best Supporting Actress award. An editorial by also listed the film's pre-titles sequence as the tenth-greatest car chase in film history.

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