1. Soundclash Tunes Rar Files

Krinjah, Thank you so much for all of the free downloads. I bought the Bam Bam Remix/Bawl Out and the Blaze Up/Send You My Love singles back in the day. Those were the only ones that I could find at that time. Last year, I bought K.I.L.L.I.N.G. Off of the Rise EP on Juno Download that tune has been my favorite of yours.

Stumbled across record in a dusty shop in Brooklyn for $2, and found that it contains LOTS of vocals that are sampled in many different Jungle, Hardcore, Breakbeat, Old Skool, Drum n Bass, records! Among the samples are: 'Enough respect to all the massive' 'Come bad boy!' 'London Massive' 'Now here dis' and some that I don't know what the hell they're sayin. I recorded some of them off the record. Mp3 links below: Sit back and listen to 'em and I guarentee that, if you're a fan of the above-mentioned music, you'll recognize some samples! And why am I posting this? Because I get some weird satisfaction out of sample spotting, ya know?

The record was recorded live at a 1989 Rap concert in London. The name is 1989 Hustlers Convention Live, Music of Life. (no relation to the House group 'Hustler's Convention', by the way) Also, this record by Future Primitive: samples this a lot. Hi sylvviothegreat All the sendspace links seem to be expired but everything else seems to be ok im on there now downloading some more.I think if the file is not downloaded in 90 days it expires.Also 90% of all the Divshare files are still there.The rapid share files are all ok 2- These 3 all work ive just downloaded them if you copy and paste them it should will be ok. Use this and then in the search engine at the top left corner type Metro or Stonelove and it will bring lots up for download.You just have to try them it looks like 50% may have expired.

Contents. Album title After Parallax was recorded, Bradford Cox was forced to continue touring with, which ended up being so stressful for Cox that it caused him to have a. Cox related album's to his lifestyle, saying: “ It's all about parallax, man. Five years for one person is 20 for another, you know? It's like, if a car is coming towards you down a highway and you're going towards it, it's like this distortion of how fast things go. And I guess my time as a musician has gone by so fast that I realized that I have no personal life. The other guys in Deerhunter, they all found things.

And I just have. ” Recording Production duties were handled by Cox and previous producer. The album was assembled at the end of a Deerhunter tour and was mostly recorded at Nicholas Vernhes' studio, Rare Book Room Studios in Brooklyn, NY. Two of the album's tracks ('Flagstaff' and 'Terra Incognita') were recorded by Cox himself in his hotel room at the Ace Hotel in New York as a result of limited studio time. 4AD also launched a website, depicting an image of Cox in Manhattan's, similar to the artwork of his two previous releases, his face is obscured by a. The website lists the genre as 'Science Fiction.'

Cox dedicated the album to the late of, who had died earlier in 2011. The artwork features a photograph of Bradford Cox taken by, who had previously shot photographs for albums such as, and. Cox met Rock through and the two quickly became friends. The cover's artwork was meant to reflect the influence and had on Cox when he recorded the album.

Unlike previous Atlas Sound album covers, Parallax's cover did not feature faces obscured by a. By not covering his face with a flare, Cox felt that the album cover effectively conveyed the loneliness he experienced creating the album.

Release The album was announced on August 24, 2011. Prior the album's release, more than half the album's songs were made officially available for streaming and/or download. Two demos of 'Mona Lisa' were originally released on the third volume of the Bedroom Databank series that Cox had released on the blog in 2010. 'Te Amo,' (originally known as 'Untitled') and 'Flagstaff' have appeared in live Atlas Sound sets for about a year. 'Terra Incognita' was the first track available to coincide with the album's announcement. 'Te Amo,' 'Modern Aquatic Nightsongs,' 'Amplifiers,' 'The Shakes,' 'Lightworks,' 'Praying Man,' and 'Flagstaff,' all followed. Some were made exclusively available through websites such as the online retailer, radio station 's blog and music blogs and.

On November 2, 2011, the whole album was streamed on the website. 'Parallax,' the album's first single, was released on October 24, 2011. It was backed with the b-side 'Oh, Ricky.' Reception Professional ratings Aggregate scores Source Rating (82/100) Review scores Source Rating (A-) (8/10) (8.7/10) (9/10) (9/10) Parallax received positive reviews from music critics. At, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 82, based on 34 reviews, indicating 'Universal acclaim'. Writer Heather Phares awarded the album a grade of four stars out of five, writing: 'It's a quietly satisfying album with a determined fragility that makes it all the more moving.' Gave the album three-and-half-stars out of five and noted: 'Cox values songwriting ahead of texture these days, and the effort is paying off.'

's David Greenwald praised the album's more accessible sound, writing, 'It's a brilliant feat: to make a record about distance, Cox has written the most effortlessly approachable music of his career. ' writer Daniel Tebo gave the album a very positive review and rated it 9 out of 10 and wrote: 'It's a fitting conclusion to a near perfect album that finds an artist expanding his musical palate without sacrificing an ounce of himself in the process.' Writer, Max Raymond called it 'Atlas Sound's best album to date' and said: 'This is easily the most satisfying and rewarding set of songs that Cox has written in any of his projects and it'll be a tough ask to top it.' Was also positive on the album and said: 'Moments of genuine marvel, each one craving its own flowery descriptives, come thick and fast.' Magazine's Marc Hogan gave it a very positive review, writing 'A sci-fi tint shifts the perspective from Atlas Sound's usual layered introspection: Inner space now has become outer space.'

Writer Conrad Tao was also positive on the album and gave it four stars out of five and wrote: 'Thankfully, such peeks of inhibition are brief, and Cox spends far more time confidently beckoning us into the glorious world he's created. For the first time, this is a place where we're to be cohabitants, not merely invitees.'

Loren Auda Poin from gave it a positive review with 83% and wrote: 'With each Atlas Sound release, the sonic effects become more interwoven, intense and impressive, and truly no one else could be writing these songs the way Cox does.' Was also positive on the album and rated it 7 out of 10 and wrote: 'While too restrained overall to match the tie-dyed brilliance of Logos, Parallax's subtle charms demonstrate that Cox's musical id is still alive and kicking.' Several critics noted the album's more consistent sound.

Magazine described the album as 'a more refined listen' compared to Logos. Nick Neyland of gave the album a ' designation, writing ' Parallax feels like a more complete work than any other Atlas Sound record, with the differences between the songs less distinct and everything flowing together more naturally.'

No Ripcord's Andrew Baer also praised the album's consistency, writing 'Cox sounds comfortable and confident, and has made the best solo album of his prolific career.' Music was called Parallax 'Cox's most coherent record to date,' continuing: 'it's harder to spotlight individual tracks, but individual settings stand out.

Larson of awarded the album with four-and-half-stars out of five and said: 'What makes Parallax a fully realized album is, in contrast to its compact musicality, the expanses and voids Cox explores.' Not all reviews were entirely positive, though.

Writer Robin Smith was more ambivalent to the album, writing 'Parallax, unrealised masterpiece or not, sounds like the man in his bedroom with a thousand songs to leave unexplained.' Jonathan Donaldson of wrote 'Yet even when relying less on atmospheric synths and playing with a full-band set up ('The Shakes'), Parallax misses early rock's tautness and grit.' Daniel Becker of Dusted Reviews felt the album was 'sparer than usual, flimsier, subtler,' writing 'These songs aren’t weighty enough, individually or cumulatively, to leave an imprint — they fail to make a world out of themselves, leaving instead snatches of place, time of day, lighting conditions.'

Placed the album at number 18 on its list of the 'Top 50 albums of 2011'. Track listing All tracks written. Title Length 1. 'The Shakes' 2:57 2.

'Amplifiers' 2:49 3. 'Te Amo' 4:14 4. 'Parallax' 2:46 5. 'Modern Aquatic Nightsongs' 4:09 6. 'Mona Lisa (feat. 'Praying Man' 2:48 8. 'Doldrums' 4:35 9.

'Angel Is Broken' 4:58 10. 'Terra Incognita' 6:25 11.

'Flagstaff' 5:54 12. 'Lightworks' 3:56 Japanese bonus tracks No.

Title Length 13. 'Quark Part 1' 7:47 14. 'Quark Part 2' 2:42 Personnel Credits adapted from Allmusic.

Bradford Cox -, Rhythm Box, Tapes, Treatments, Vocal Drone, Vocals,. Paul McPherson -,. Carrie-Anne Murphy -. Organ, Piano, Vocals (Background) Production. Bradford Cox - engineer, composer, producer, programming.

engineer, mixing, producer, programming Additional personnel. cover photo, photography. Liz Vao - photo production. Kari Bauce - grooming Charts Chart (2011) Peak position U.S. Top Rock Albums 20 U.S.

Top Alternative Albums 13 External links. at (list of releases) References. Retrieved 18 November 2011. ^. Retrieved 8 November 2011.

^ Perpetua, Matthew. 7 November 2011. Retrieved 7 November 2011. Retrieved 6 November 2011. ^ Fitzmaurice, Larry.

Soundclash Tunes Rar Files

10 November 2011. Retrieved 10 November 2011. Walters, Carrie. 14 November 2011. Retrieved 21 November 2011. Retrieved 7 November 2011. ^ Fitzmaurice, Larry.

24 August 2011. Retrieved 7 November 2011. 7 November 2011. Retrieved 14 November 2011. 24 November 2010. Retrieved 7 November 2011.

Katzif, Michael. 15 November 2011. Retrieved 15 November 2011.

Retrieved 6 November 2011. Muir, Ryan. 21 October 2011. Retrieved 6 November 2011. Beckmann, Jim. 21 October 2011. Retrieved 6 November 2011.

23 September 2011. Retrieved 6 November 2011.

Brown, Jacob. 2 November 2011. Retrieved 7 November 2011. Retrieved 7 November 2011. ^ Phares, Heather. Retrieved 7 November 2011. ^ Greenwald, David.

Retrieved November 8, 2011. ^ Horner, Al.

Drowned in Sound. Retrieved November 8, 2011. ^ Raymond, Max. Retrieved November 7, 2011. ^ Neyland, Nick.

Pitchfork Media. Retrieved November 7, 2011. ^ Tebo, Daniel. Retrieved November 11, 2011. ^ Vozik-Levinson, Simon.

Rolling Stone. Retrieved November 11, 2011. Liedel, Kevin.

Slant Magazine. Retrieved November 8, 2011. ^ Hogan, Marc. Retrieved November 6, 2011. ^ Smith, Robin. Retrieved November 8, 2011. Tao, Conrad.

Tine Mix Tape. Retrieved November 11, 2011. Auda Poin, Loren. Filter Magazine. Retrieved November 11, 2011. Studarus, Laura.

Under The Radar. Retrieved November 11, 2011. Younis, Reef. Retrieved November 11, 2011. Baer, Andrew.

9 November 2011. Retrieved 9 November 2011. Aston, Martin. Retrieved November 11, 2011. Larson, Jeremy D. Consequence of Sound.

Retrieved November 11, 2011. Donaldson, Jonathan.

Retrieved November 9, 2011. Becker, Daniel. Dusted Reviews. Retrieved 11 November 2011. December 15, 2011. Retrieved January 8, 2012. Retrieved 10 November 2011.

Retrieved 24 November 2011.